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Archive for June, 2009

Creative Thinking for Small Business Owners

By: Dan Kennedy on: June 9th, 2009 6 Comments

Entrepreneurs and marketers are constantly challenged to be creative.

But creativity as it is commonly thought of and practiced is sin not virtue, because it is slow and ponderous; because it begins with a blank slate. One of the most profitably creative entrepreneurs of all time, Walt Disney, said “… .stop talking and begin doing.”

To be profitable in the real world, creativity must be fast, decisive, practical, implementable and implemented. There’s little room for creativity for creativity’s sake.

I tend to practice “creativity cheating” – and thought I’d give you a few quick “cheats”, from the many I talked about at my one day Creative Thinking For Entrepreneurs Seminar.*

#1: STEAL AND ADAPT WHAT’S ALREADY BUILT

From Tony Baxter, Senior V.P., Creative Development/Imagineering at Disney: “For the climactic scene in the Indiana Jones Adventure at Disneyland, we wanted the ride vehicle to suddenly start backing up as the giant rolling boulder comes thundering toward us. Having a ride vehicle back up in the middle of a ride is SOMETHING THAT’S NEVER BEEN DONE, BECAUSE IT’S NOT POSSIBLE. With eighteen vehicles traveling down the same track at the same time, a vehicle going in reverse would collide with the next vehicle coming behind it along the track. But if you’ve ever ridden in the Indiana Jones attraction, you know your vehicle does suddenly start backing up. At least that’s your perception. Your vehicle has actually stopped. It’s the walls and ceiling that are moving, giving you the undeniable feeling that you’re traveling backward… … .so, where did we come up with this solution? A car wash. One of those self-service machines at the gas station where you pull your car in and park while a series of brushes and spray heads mounted above and beside your car travel back and forth.”

There’s more to Tony’s story, but enough here to make the point: whatever you’re trying to do, somebody has already figured out and built — just not in your business or industry or in an application you might ordinarily, easily think of in connection with your business. You do NOT want to invest umpteen days, weeks, months duplicating all the figuring out and innovation and engineering – you want to find the thing that’s already built.

Oh, and a key question to ask every time you see anything, go anywhere, experience anything: how can I use that?

#2: WORK BACKWARDS

Most people approach creative thinking from the front – the idea. Let’s say you’re going to open up a new restaurant. You’ll probably start with the name, maybe the theme, the menu. But the best place to start is with what will insure a customer keeps coming back. Or his final few minutes in the place. What goes on at the cash register. What will create the highest average ticket. In short, you start thinking about outcomes and then build backwards. Right now, in the movie business, a ton of very important money comes from stealth advertising and product placement. So very, very, very early in the creative process, in many cases prior to script and definitely prior to picking actors, the list of every possible product/advertiser that can be integrated into the film is thought through. I am told in one blockbuster movie of 2005, a scene that took place inside a ski resort’s dim-lit bar at night in the book was moved to daytime, outside on the restaurant’s deck because they could get a sunglasses company, a parka company, and a liquor company with its name on patio table umbrellas to pony up money.

#3: BE MARKET / BUYER DRIVEN IN (ALMOST) EVERYTHING YOU DO

I started out, ever so briefly, in the

traditional’ advertising business, and have occasionally been involved – such as a few years back when I butted heads with Weight Watchers’ big name Madison Avenue agency. They tend to start their creative process with random ideas. If you watch the advertising-related exercises on ‘The Apprentice’, you’ve seen this same mistake made. So, gather a bunch of ad industry creative types together to talk about advertising for a new perfume, they’ll instantly leap off a dozen creative cliffs: names, colors, package, celebrity, music. I say: wait a damn minute! Tell me who the ‘target’ is – don’t even bother telling me about the product. I don’t give a rat’s patootie that it smells like jasmine or ocean breezes or beached whales in the last throes of death or is made from cedar planks or horny minks’ glandular secretions. I want to work backwards from who the intended buyer is. And it matters whether she’s 18, 25, 30, 35, 40, 45, 50, 55, single, married, etc. I catch clients constantly playing BLIND ARCHERY. Don’t develop a product or service or offer or Marketing Message unless you are developing it for a particular somebody. Not only is that the best and surest way to make money and avoid flops, it’s a terrific creativity shortcut because it narrows your range of creative work from the git-go. If you want to manage time better, by now you probably know my best strategy is to give yourself less loose time to manage. If you want to get through the creation process quicker, give yourself a smaller canvass.

#4: SWIPE, SWIPE, SWIPE, SWIPE (LEGALLY & ETHICALLY)

I get real joy out of hearing from GKIC Members as I did the day I wrote this, and hearing one after another telling me how they took an example from the NO B.S. MARKETING LETTER, etc., etc. Again, you should never start with a blank slate. Too hard, too slow. Gather up some stuff to give you a jump start.

#5: DOODADS AS INSPIRATION

One of my favorite shortcuts is finding the little doodads, promotional items, grabbers that are available, that suggest or furnish the theme for my marketing campaign — especially when doing direct-mail. The copywriting I did for Rory Fatt’s boot camp one year, ‘The Magical Business Life Boot Camp For Restaurant Owners’, was because I first found a bunch of magic stuff in the Oriental Trading catalogs: tricks, cards, top hats, etc. I picked the theme because these things were available cheap.

If you don’t get these catalogs, you must:

Oriental Trading Hands On Fun – Creative Tools

Oriental Trading/Business www.handsonfun.com

www.orientaltrading.com

Fun Impressions

www.funimpressions.com

Here are just a few items that beget ideas:

Magnetic Construction Set

“Build a better _____________”

Foam Fall Leaves

“The leaves have started to turn colors – your reminder to __________”

Dinosaurs

“Once upon a time, mighty dinosaurs ruled the earth. They no longer even exist/ Why? Because they didn’t adapt to change. Don’t risk extinction!”

Jumbo Foam Dice

If you want to gamble, go to Vegas.

If you want a sure thing: ________________”

Seasonal Themes… .a little more obvious. For example, Chinese New Years, St. Patricks Day

So, for example, instead of the Magic theme, next year Rory might use : Build A Better Restaurant Business. There’s the construction set I just talked about, hard hats, toy hammers and tool kits, sales letters printed on architects’ blueprints, building permits, and on and on and on. Who else could use this? Kitchen remodelers… ..fitness center (build a better body)… … karate school (build a better kid)… .

See, wandering through one of these catalogs is another creativity shortcut.

There’s a business term: “speed to market.” It’s extremely important. The entrepreneurs I work with who make the most money are “speed to market” people. They rely on creativity shortcuts. You should too.

Watching The Clock

By: Dan Kennedy on: June 9th, 2009 12 Comments

The ’secret’ reason long copy usually out-sells brief copy, and lengthy sales letters out-sell short ones is simply time. The longer the prospect stays in my store…

The more time he invests in my proposition, the more likely he is to buy.

The best catalogs are designed to keep the person paging through them for the longest possible amount of time. The best stores keep customers in them for the longest period of time possible – which the FAO Schwartz store in Vegas has tackled many different ways; three floors, slow escalators with brilliantly conceived signage that sells, the opportunity to buy 30-minute use cards to play all the games on the 3rd floor, the environment itself, a maze of specialty stores within the stores, salespeople who engage you (not clerks), even a soda fountain and sandwich/snack counter, so you need not leave for food. The best sales letters keep the reader reading for as long as possible. It’s why we use multi-media: letter, CD or DVD — it expands the amount of time the prospect invests with us. The best web sites are designed to involve the visitor and keep him there.

I’m amused when clients fall into the grip of competent technicians who are marketing nincompoops. The fools tell the clients that their sales videos should be no more than seven minutes long, audio CDs ten minutes at most. In one of my business fields, professional speakers are even fed this nonsense: keep your demo reel short. All the opposite of the ideal:

find ways to create so much interest

the person will stay with you, keep listening,

keep watching, keep reading.

The more time invested, more likely to buy.

In good old fashioned nose to nose, toes to toes, mug to mug selling, first in peoples’ living rooms, then B2B, in offices, I quickly learned what many such sales warriors know: likelihood of closing goes up in 15-20 minute increments. If I’m there for 2 hours, I’m not twice as likely to close as if there for only 1 hour, I’m three to four times more likely to close. That’s why the in-home guy selling pots

n pans or encyclopedias, etc. unpacks and has stuff strewn all over the place; it expands the time he’s there.

Of course, you can overstay welcome, unsell the made sale. In each selling situation — on stage, face to face, in a tele-seminar, in print, online, etc. — there is a specific “sweet spot” where sales peak; stop short or go long, suffer. For my basic

Magnetic Marketing’ speech, it was 90 minutes. I could get good results in as little as 70, up to 120. Less than 70 or more than 120, the sales drop off dramatically. But for the most part, most people stop way, way short of the point where maximum sales occur.

There is link between time invested and likelihood of buying.

The highest earning auto salesman I’ve ever known always took prospects to his office first, for conversation; then out to look at cars; then to test drive; then back to the office. Why not right out to look at cars? 15 more minutes. That’s why.

But what about…

Today’s shorter attention spans.

Age differences – younger buyers, shorter attention spans

My customer’s different… ..he’s very busy, won’t read a book…

Blah, blah, blah.

Look, all these things are real. Yes, today, everybody’s busier, there are fewer readers and fewer people reading as a matter of course, younger buyers do have shorter attention spans. But the correct answer is not to sacrifice what’s effective, not to merely surrender. The answer is to be more interesting and compelling.

A few years ago, ABC-TV was in the dumper. Fourth of the four networks, no hits. And series TV had given way to modular TV. Shows like CSI, CSI Miami, CSI New York, CSI Poughkeepsie, LAW & ORDER, LAW & ORDER SVU, LAW & ORDER CI, LAW & ORDER PMS, etc. are all designed so you do NOT need to follow them week after week. The story line begins and ends in each show. Each episode is self-contained and free-standing. And because of their success (as well as, admittedly, higher syndication longevity and value), the prevailing viewpoint in network television was that episodic, serial shows were dead. ABC, desperate for a breakthrough, went contrarian – and hits have emerged that are, in fact, serial: Desperate Housewives and Boston Legal, Sunday night winners.

My point is simply this: it’s less about modular or serial, as it is about interesting and compelling. And purely in terms of sales effectiveness, who’s evidencing greater power? — the writers, actors, etc. behind a show so fascinating viewers calendar it and make a point of being home to watch each episode, or those whose viewers feel comfortable with missing an episode?

Sometimes we are legitimately constrained by weight for a direct-mail piece, or space in print advertising, the 28 minute limit for the infomercial. But more often, marketers unnecessarily imprison themselves, with self-imposed time limits far short of their real time limits for their sales presentation and the prospect’s buying experience.

Sometimes we are legitimately constrained by very practical operational considerations. In my old seminar business, selling to chiropractors, dentists, podiatrists, optometrists and veterinarians, we found the 3 hour evening seminar far easier to get attendance for than the full day, and it allowed the speaker to travel each A.M., work every P.M., thus fitting five seminars and five cities into five days (vs. three in five if full days). So, essentially, operational considerations exerted control over sales considerations. But more often, operations controls sales when it shouldn’t. The first, best way of thinking is to determine what situation will optimize sales, then try and figure out how to create that situation. More often, marketers decide on the situation that suits them or their employees or fits some industry norm, then try to create sales within its parameters.

A mistake made at Caesars Palace: they built a gigantic, new 4,000 seat showroom for Celine Dion. Next to it, is a giant Celine Dion store of souvenirs, music, clothing, etc. But the people exit the showroom down steps next to the store. They should be forced to exit through the store. (Disney rides, like Tower Of Terror at Disney/MGM exit through the souvenir store.) This is minutes in a store, and minutes translate to money.

You have to look carefully at how you manage your prospects’ or customers’ time. There is a three way linkage:

Interest+Involvement+Time

Classic involvement devices in direct-mail include the “affix these stamps to the card” Publishers Clearinghouse kind of mailing pieces. Opening sealed envelopes. Taking quizzes and tests. Even a trick used by Sugarman (and others): find the misspelled words, get the right count, win a prize. Some of these classics can move online or into other environments; some can’t. In retail, such things as trying on clothes or test driving a car. Maytag is testing stores where you bring in laundry and do it there, or cook in the in-store kitchen. The retail chain (also with a store in the Forum Shops) that gets this done through demonstration is Houdini’s Magic Shop. On my team, EVERYBODY made a purchase there – and they held us for about 30 minutes. Including the red room/blue room gambit: buy now, we’ll take you behind the curtain, in the back room and teach you to do the trick.

In-home party plan selling is making a huge comeback. Here’s why I’ve always liked it: every single person who takes the time to go to an in-home party, goes intending to buy something and does buy something; coming home empty-handed would seem like a waste of time! But instead of a quick walk-through of a store, the person is kept for two hours. Most buy multiples, spend more than they intended – because of the two hours. And the involvement: interaction with the salesperson and other customers, demonstration, looking through catalogs together – involvement. For the party plan business, INVOLVEMENT + TIME equals sales.

So, things to think about -

How can you get your prospect more invested in getting ready to buy from you and in selling himself, so the sale is more automatic, the customer will buy more, will pay more?

How can you get your prospect to invest more time reading, listening, watching, visiting?

How can you actively involve your prospect?

How can you create a buying experience?

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