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Posts Tagged ‘Celebrity’

Can You Get Up Everyday and Go to War?

By: Dan Kennedy on: October 12th, 2009 5 Comments

In the 2-hour CELEBRITY APPRENTICE aired the week of the Super Bowl last year, the actor from The Sopranos wimped out, quit, and went home, unable to handle the stress of the in-fighting and the competition.

He asked Trump a question and couldn’t understand Trump’s answer. He complained about the war-like atmosphere, it not good for his health, and asked Trump:

“Surely you don’t get up every morning and fight like this, do you?”

Trump was as confounded by the question as the actor was by Trump’s answer. Trump said:

“My whole life is a war. Everyday I get up and go to war.”
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How Gene Simmons Can Put Your Small Business Marketing On Autopilot

By: Bill Glazer on: September 17th, 2009 9 Comments

Celebrity P-O-W-E-R!

I first learned about the power of celebrity from Dan, but I really didn’t fully embrace it until I saw it with my own eyes. Dan has often used his client, Guthy-Renker, as an example of how they have become the ‘top dog’ in the infomercial world by using famous celebrities such as Victoria Principal, Jessica Simpson, and Sean John (a.k.a. P-Diddy).

Why is a celebrity so powerful? Think about it. What happens when you’re up late at night and you’re pushing the remote control button while watching TV and all of a sudden you arrive at a show where you see Jessica Simpson (or some other celebrity you recognize)? What do you do? It makes you stop channel surfing and say to yourself…what’s Jessica doing on at 2 AM in the morning?
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Five Tips for Making Your Small Business Famous on National TV

By: Bill Glazer on: August 6th, 2009 13 Comments

A single appearance on national TV can drive a flood of sales, spark more word-of-mouth and raise the percentage of people who buy from your small business.

When your clients see you on national TV, they’ll never look at you like a salesperson or marketer. They’ll see you as an expert – even a celebrity.

Here are five tips for marketing your small business in order to get it on national TV:

  1. Try to tie-in with something timely or in the news.
  2. Tell the viewers something they don’t already know.
  3. Offer producers ideas for visuals.
  4. Write a tailored one-page pitch that sells the show idea.
  5. When possible, meet producers face-to-face.

Now let’s take an actual case history so you can see how to apply this. Gold Plus Member Mahesh Grossman came to Steve & Bill Harrison (Platinum Members) because he wanted to get more publicity. He took advantage of the training and resources provided and did all five things to get himself booked on Fox News Channel’s Fox & Friends Show.

1) Try to tie-in with something timely or in the news.

Mahesh runs a ghostwriting business in which he gets books written for people who don’t have the time or talent to do it themselves. But let’s face it, the average Joe or Jane watching TV isn’t looking for a ghostwriter. So what did Mahesh do? He created a timely topic he could address and which would interest the average viewer. At the time, the presidential primaries were going on. Mahesh offered to talk about how each presidential candidate had hired a ghostwriter to write his book and then went on to compare how honest and appreciative each candidate had been.

2) Tell viewers something they don’t already know.

A producer at Fox News Network liked the idea of having a ghostwriting expert pull back the curtain and reveal things most people wouldn’t know about the candidates and their books. In fact, when they introduced Mahesh on the air, they called him the “ghostwriting guru” – a description that will be quoted on his web site and promotional literature for years to come.

3) Offer ideas for visuals.

Remember, TV is a visual medium. Producers usually want to show the audience something rather than just telling them something. With Mahesh, they knew they could use “B-roll” of the candidates campaigning – file footage they had and could run a couple times during the segment featuring Mahesh.

4) Write a tailored one-page pitch that sells the show idea.

You’ll increase your odds of getting booked tremendously by giving producers a compelling one-page pitch letter that immediately sells them on your show idea. Think of it as a sales letter going to the media where you’re selling yourself. But unlike most sales letters, be sure to keep your pitch letter short. Media folks are very busy and don’t have a lot of time to read, so make your proposal in one-page and then send it to producers. (For an example, go to www.getmajorpress.com/pitch55.)

5) When possible, meet media face-to-face.

Producers are busier than ever. The best way to stand out from all their cluttle of faxes, phone calls and emails is to meet them in person if they come to one of your industry trade shows. Or attend an event like my National Publicity Summit in New York City which is where Mahesh met the Fox producer who booked him.

Creative Thinking for Small Business Owners

By: Dan Kennedy on: June 9th, 2009 6 Comments

Entrepreneurs and marketers are constantly challenged to be creative.

But creativity as it is commonly thought of and practiced is sin not virtue, because it is slow and ponderous; because it begins with a blank slate. One of the most profitably creative entrepreneurs of all time, Walt Disney, said “… .stop talking and begin doing.”

To be profitable in the real world, creativity must be fast, decisive, practical, implementable and implemented. There’s little room for creativity for creativity’s sake.

I tend to practice “creativity cheating” – and thought I’d give you a few quick “cheats”, from the many I talked about at my one day Creative Thinking For Entrepreneurs Seminar.*

#1: STEAL AND ADAPT WHAT’S ALREADY BUILT

From Tony Baxter, Senior V.P., Creative Development/Imagineering at Disney: “For the climactic scene in the Indiana Jones Adventure at Disneyland, we wanted the ride vehicle to suddenly start backing up as the giant rolling boulder comes thundering toward us. Having a ride vehicle back up in the middle of a ride is SOMETHING THAT’S NEVER BEEN DONE, BECAUSE IT’S NOT POSSIBLE. With eighteen vehicles traveling down the same track at the same time, a vehicle going in reverse would collide with the next vehicle coming behind it along the track. But if you’ve ever ridden in the Indiana Jones attraction, you know your vehicle does suddenly start backing up. At least that’s your perception. Your vehicle has actually stopped. It’s the walls and ceiling that are moving, giving you the undeniable feeling that you’re traveling backward… … .so, where did we come up with this solution? A car wash. One of those self-service machines at the gas station where you pull your car in and park while a series of brushes and spray heads mounted above and beside your car travel back and forth.”

There’s more to Tony’s story, but enough here to make the point: whatever you’re trying to do, somebody has already figured out and built — just not in your business or industry or in an application you might ordinarily, easily think of in connection with your business. You do NOT want to invest umpteen days, weeks, months duplicating all the figuring out and innovation and engineering – you want to find the thing that’s already built.

Oh, and a key question to ask every time you see anything, go anywhere, experience anything: how can I use that?

#2: WORK BACKWARDS

Most people approach creative thinking from the front – the idea. Let’s say you’re going to open up a new restaurant. You’ll probably start with the name, maybe the theme, the menu. But the best place to start is with what will insure a customer keeps coming back. Or his final few minutes in the place. What goes on at the cash register. What will create the highest average ticket. In short, you start thinking about outcomes and then build backwards. Right now, in the movie business, a ton of very important money comes from stealth advertising and product placement. So very, very, very early in the creative process, in many cases prior to script and definitely prior to picking actors, the list of every possible product/advertiser that can be integrated into the film is thought through. I am told in one blockbuster movie of 2005, a scene that took place inside a ski resort’s dim-lit bar at night in the book was moved to daytime, outside on the restaurant’s deck because they could get a sunglasses company, a parka company, and a liquor company with its name on patio table umbrellas to pony up money.

#3: BE MARKET / BUYER DRIVEN IN (ALMOST) EVERYTHING YOU DO

I started out, ever so briefly, in the

traditional’ advertising business, and have occasionally been involved – such as a few years back when I butted heads with Weight Watchers’ big name Madison Avenue agency. They tend to start their creative process with random ideas. If you watch the advertising-related exercises on ‘The Apprentice’, you’ve seen this same mistake made. So, gather a bunch of ad industry creative types together to talk about advertising for a new perfume, they’ll instantly leap off a dozen creative cliffs: names, colors, package, celebrity, music. I say: wait a damn minute! Tell me who the ‘target’ is – don’t even bother telling me about the product. I don’t give a rat’s patootie that it smells like jasmine or ocean breezes or beached whales in the last throes of death or is made from cedar planks or horny minks’ glandular secretions. I want to work backwards from who the intended buyer is. And it matters whether she’s 18, 25, 30, 35, 40, 45, 50, 55, single, married, etc. I catch clients constantly playing BLIND ARCHERY. Don’t develop a product or service or offer or Marketing Message unless you are developing it for a particular somebody. Not only is that the best and surest way to make money and avoid flops, it’s a terrific creativity shortcut because it narrows your range of creative work from the git-go. If you want to manage time better, by now you probably know my best strategy is to give yourself less loose time to manage. If you want to get through the creation process quicker, give yourself a smaller canvass.

#4: SWIPE, SWIPE, SWIPE, SWIPE (LEGALLY & ETHICALLY)

I get real joy out of hearing from GKIC Members as I did the day I wrote this, and hearing one after another telling me how they took an example from the NO B.S. MARKETING LETTER, etc., etc. Again, you should never start with a blank slate. Too hard, too slow. Gather up some stuff to give you a jump start.

#5: DOODADS AS INSPIRATION

One of my favorite shortcuts is finding the little doodads, promotional items, grabbers that are available, that suggest or furnish the theme for my marketing campaign — especially when doing direct-mail. The copywriting I did for Rory Fatt’s boot camp one year, ‘The Magical Business Life Boot Camp For Restaurant Owners’, was because I first found a bunch of magic stuff in the Oriental Trading catalogs: tricks, cards, top hats, etc. I picked the theme because these things were available cheap.

If you don’t get these catalogs, you must:

Oriental Trading Hands On Fun – Creative Tools

Oriental Trading/Business www.handsonfun.com

www.orientaltrading.com

Fun Impressions

www.funimpressions.com

Here are just a few items that beget ideas:

Magnetic Construction Set

“Build a better _____________”

Foam Fall Leaves

“The leaves have started to turn colors – your reminder to __________”

Dinosaurs

“Once upon a time, mighty dinosaurs ruled the earth. They no longer even exist/ Why? Because they didn’t adapt to change. Don’t risk extinction!”

Jumbo Foam Dice

If you want to gamble, go to Vegas.

If you want a sure thing: ________________”

Seasonal Themes… .a little more obvious. For example, Chinese New Years, St. Patricks Day

So, for example, instead of the Magic theme, next year Rory might use : Build A Better Restaurant Business. There’s the construction set I just talked about, hard hats, toy hammers and tool kits, sales letters printed on architects’ blueprints, building permits, and on and on and on. Who else could use this? Kitchen remodelers… ..fitness center (build a better body)… … karate school (build a better kid)… .

See, wandering through one of these catalogs is another creativity shortcut.

There’s a business term: “speed to market.” It’s extremely important. The entrepreneurs I work with who make the most money are “speed to market” people. They rely on creativity shortcuts. You should too.

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